Cannes 2012. Days 8-9, Essential Reads
Adam CookLéos Carax’s long-awaited return to Cannes is a loud one, and Carlos Reygadas’ Post Tenabras Lux sounds like a divisive highlight.
Léos Carax’s long-awaited return to Cannes is a loud one, and Carlos Reygadas’ Post Tenabras Lux sounds like a divisive highlight.
Alain Resnais returns to the play between theater, cinema and life in his new film.
Haneke’s intimate drama of domestic death is out now in theaters in the US.
Abbas Kiarostami shoots a movie in Japan and the result is the strangest, most mysterious film playing in Cannes.
Kiarostami, Hong Sang-soo, Resnais: some of the biggest names of the festival unveil their latest works
Isabelle Huppert collaborates with Korean auteur Hong Sang-soo in his latest film.
Supposedly the final film for the Chilean master—and a rare Chilean production too—sees a man preparing for retirement and his death.
New films from past Palme d’Or winners Cristian Mungiu and Michael Haneke are among the latest to screen at Cannes.
The 2012 Cannes Film Festival is underway and we’re compiling some of the highlights of the coverage.
Kazakh master Darezhan Omirbaev continues adapting Russian literature—after Chekhov and Tolstoy—with a moving, pared Crime and Punishment.
The first part in a trilogy of films on “paradise” by Austrian director Ulrich Siedl. Love focuses on sex tourism in Kenya.
A small feature film by Apichatpong Weerasethakul imaginatively uses minor means to unite strands of documentary and fiction.