Daily Briefing. Oberhausen Manifesto @ 50
David HudsonAlso: Locarno to fête Preminger. 2011 lists from Cinema Scope, Sight & Sound and Reverse Shot. And more.
Also: Locarno to fête Preminger. 2011 lists from Cinema Scope, Sight & Sound and Reverse Shot. And more.
In our annual poll, we pair our favorite new films of 2011 with older films seen in the same year to create fantastic double features.
Until the End of the World @ 20. Omer Fast’s 5000 Feet Is the Best. Park Chan-wook and Bong Joon-ho — and more.
Catherine Breillat’s second entry in her trilogy based on fairy tales should be placed among her greatest works.
Tuesday, DVD roundup day, is a fine day for taking a look at the new Summer 2011 issue of Cineaste, particularly since, among the online samplings this time around, DVD reviews outnumber all other types
This Sunday, David Phelps and John MacKay, Professor of Slavic Languages and Literatures and Chair of Film Studies at Yale, will be presenting a double feature followed by a discussion at UnionDocs in
0845 Detective Dee and the Mystery of the Phantom Flame (Tsui Hark, China) In marked contrast to Takashi Miike’s staunchly assignment-like, termite-filled genre epic
Photo by Fabrizio Maltese/EF Press/fabriziomaltese.com. Venice 2010. The Sleeping Beauty (roundup) screens in Toronto on September 14, 15 and 19.
"Following her typically idiosyncratic revision of Bluebeard, Gallic helmer Catherine Breillat fractures another fairy tale with The Sleeping Beauty," writes Leslie Felperin in Variety. "The story
But first, New York's Film Forum is marking the 20th anniversary of Abbas Kiarostami's Close-Up with a one-week run for a new 35mm print. Nicolas Rapold, L Magazine: "The story is fraud that taps
We're going to get this year's New York Film Festival wrapped before Christmas. That's a promise. Today, on the occasion of Glenn Kenny's interview with Catherine Breillat: Bluebeard, which Glenn
The old—make that ancient—Charles Perrault fairy tale of Bluebeard seems such a natural text for the ever-provocative French filmmaker Catherine Breillat to twist into knots that one wonders why the