The Noteworthy: Tilda in a Box, "The Sorcerer" Returns, Korine Does Reddit
Adam CookScorsese tries to save the Bowery, Friedkin’s Sorcerer gets a second chance, Terrence Malick wants you to see Zoolander & more.
Charlie Chaplin
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The Noteworthy: Lim Replaces Koehler, Bordwell's Sweet 16, Interviews with Ferrara, Karel & Klahr
Adam CookLots of news, photos by Patrick Swirc, a trio of interviews featuring Abel Ferrara, Ernst Karel and Lewis Klahr & more.
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The Noteworthy: Zizek Dark Thirty, Soderbergh Speaks, Slow Criticism
Adam CookSundance awards, PTA & Joaquin to reunite, Zizek takes on Bigelow, Soderbergh opens up about his career and the state of movies & more.
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The Noteworthy: New Lola, "2013" by Apichatpong, On the Set of "The Assassin"
Adam CookLOLA releases new content, Apichatpong’s mini-short “2013”, images from the new Hong Sang-soo, a visit to Hou Hsaio-hsien on set.
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Notebook's 5th Writers Poll: Fantasy Double Features of 2012
Daniel KasmanIn our annual poll, we pair our favorite new films of 2012 with older films seen in the same year to create fantastic double features.
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The Best of “Movie Poster of the Day”, Part 2
Adrian CurryA Japanese La jetée and more posters from our sidebar Tumblr, Movie Poster of the Day.
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Charlie Chaplin's "The Gold Rush", Part 2: Soundless Laugh
Daniel RiccuitoThe Gold Rush: Panic-ridden comedy from a stereo-optical image.
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Charlie Chaplin's "The Gold Rush", Part 1: Hat Trick!
Daniel RiccuitoI admit that even now, at age 45, I’m pretty scared of Charlie Chaplin’s The Gold Rush.
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Six Reels of Joy: Close-Up on Charlie Chaplin's "The Kid"
Duncan GrayCLOSE-UP pays tribute to Charlie Chaplin’s The Kid with an examination of its excellent opening sequence.
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The Noteworthy: Clowns, Beasts, and Some Lessons of Darkness
Adam CookFeaturing not one but two Herzog gems, a Moonrise Kingdom short, a talk about Twin Peaks and words of discouragement from Richard Brody.
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Daily Briefing. Nina Menkes, the Wooster Group, Chaplin
David HudsonAlso: The origins of the Korean New Wave. And the Skandies countdown is complete.
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The Comedy Stylings of Robert Bresson
Ignatiy VishnevetskyTracing Bresson’s audio-visual sensibility back to the formally-ambitious film comedies of the early 1930s.