Daily Viewing. Agnès Varda in Chris Marker's Atelier
David HudsonVarda probes a friend’s private workspace.
Varda probes a friend’s private workspace.
Also: It’s Tuesday Weld Day at DC’s. And of course there’ll be a Steve Jobs biopic.
The new mini-feature will be a once-a-day update on just the essentials.
Chris Marker assembles a wry, forlorn photo collage from the recent London riots.
Yet more terrific summer reading! The new issue of Bright Lights Film Journal is out.
Senses of Cinema editor Rolando Caputo introduces the new issue: "For some time now, Senses has wanted to publish an English language translation of Jean-Baptiste Thoret's seminal article, 'The Seventies
Above: Two of three guides in Chris Marker's photography exhibit that explicitly link his vérité metro photography with classical painting. We should thank the voracious observers among
"Antonioni's career can be divided into the periods before and after L'Avventura (1960)," writes Dennis Lim in the Los Angeles Times. "By the time that film was booed and championed at Cannes, putting
"And all cinema — including Hollywood — reflects reality. In fact, sometimes the worse the film the more it reflects real life." Jonas Mekas recently took questions from graduate students in the Art
Max Goldberg in the San Francisco Bay Guardian: "Looking at a map of Paris, the city's rings resemble those of the giant Sequoia cross-section in Vertigo (1958), the one Kim Novak points to saying
Last year, many of us thrilled at the prospect of an issue of Image [&] Narrative featuring a "Thematic Cluster" on Chris Marker - only to discover that, if we didn't read French, the going would
Images by Chris Marker of French demonstrations in 2009, found at the filmmaker's photostream under the name sandor krasna. Special thanks to Tom Luddy for the heads up.