Cannes 2012. Days 4-5, Essential Reads
Adam CookNew films from past Palme d’Or winners Cristian Mungiu and Michael Haneke are among the latest to screen at Cannes.
New films from past Palme d’Or winners Cristian Mungiu and Michael Haneke are among the latest to screen at Cannes.
A chilling, melancholy piece of music to Dario Argento’s oft-overlooked grim fairy tale, Phenomena (1985), by Bill Wyman and Terry Taylor.
Dario Argento one-ups Alfred Hitchcock’s North by Northwest in his horror classic Suspiria.
Images (and sounds) of fear from the horror maestro’s 1975 masterpiece.
Also: Terrific new covers for forthcoming books.
"Bitterness" is the theme of Electric Sheep's new issue, featuring Nicola Woodham on Hélène Cattet and Bruno Forzani's neo-giallo Amer and John Bleasdale on Dario Argento's straight-up
I first saw Dario Argento's Inferno back in the mid-80s, when being disappointed by a Dario Argento movie meant something entirely different than what being disappointed by a Dario Argento film means
"Life is disappointing." So goes the most common English translation of a famous line of dialogue in Ozu's Tokyo Story. As if to underscore that point, here is a British-released Region 2 Blu-ray disc
I saw Dario Argento's latest, Giallo, in Edinburgh last week, and was somewhat underwhelmed.But anyone who reckons that Dario has terminally "lost it" really needs to check out his previous effort, 2007
Dario Argento avows that Cat O’ Nine Tails (1971) is one of his least artistically successful films, but recently viewing it in a restored print on the big screen at MoMA’s Sixth International Festival
February, 1987: The golden age of the Italian horror picture, which arguably began with Bava's Black Sunday and was sustained through the '70s and into the '80s by Dario Argento and associates, is on