The Mask and the Role of God
Luc MoulletA previously unpublished article by French New Wave critic and filmmaker Luc Moullet on the cinema of Eric Rohmer.
A previously unpublished article by French New Wave critic and filmmaker Luc Moullet on the cinema of Eric Rohmer.
The renowned critic, novelist and screenwriter worked with Ruiz and Bertolucci.
Also: Thanksgiving movie scenes, top 50 films ever, vintage posters exhibition, Eraserhead set photos, DVDs and more.
Crystallizing various facets of his Comédies et Proverbes cycle while radically departing from others, the diaristic 1986 beauty Le rayon vert is one of Éric Rohmer’s greatest
"Though Éric Rohmer's breakthrough film stateside was the lustrous black-and-white, winter-set My Night at Maud's (1969), the New Wave architect may be cinema's greatest chronicler of the summer
The wonderful late summer Lincoln Center retrospective "The Sign of Rohmer" would require a book-length study to give a reasonable account of the many layers of Rohmer's filmmaking, and of the surprising
Because, you know, why even bring up something such as "the pulp imagination of Eric Rohmer" when such a quality is never manifested in any of his films? Or is it? First, to the question of why even
The Film Society of Lincoln Center is touting The Sign of Rohmer, opening this afternoon with a screening of Eric Rohmer's debut feature, The Sign of Leo (1959; Richard Brody has a capsule review in
"I'm sure the irony is not lost on our readers that this new issue of the journal, substantially devoted to two filmmakers, Eric Rohmer and Solrun Hoaas, who both passed away in recent months, coincides
Nowadays, music videos done by noted auteurs are hardly a rare thing: Wong Kar-wai, David Lynch, Claire Denis, and Philippe Grandrieux have made them, among many others. Far rarer are filmmakers who
If anyone can help out with an English translation, we'd all be grateful! (Thanks to Ignatiy for the tip.)
Here’s a mantra that has served me well: “in Japan, the French New Wave is to cinema what Impressionism is to painting”. Except for Claude Chabrol, the other founding New Wave members—Godard, Truffaut