Cinema Scope's new front page - the splash page, you might call it - sports a still from Harmony Korine's Trash Humpers and, inside, in the Spotlight section previewing the fall festival season, we
"Narrated by its whistle-blowing hero (and based in part on two of his books), The Most Dangerous Man in America: Daniel Ellsberg and the Pentagon Papers traces how the doubts of one connected insider
Shirin Neshat's Women without Men and Hana Makhmalbaf's Green Days are both set in Iran during turbulent periods of that nation's history - Women, half a century ago; Green Days, just months ago. Both
This is old school. Laugh as you may, but George A. Romero makes beautifully solid old genre movies, and the genre touchstones I’m talking about aren’t gory makeup effects, or his new film’s remarkable
"Jane Campion's Bright Star gives us not a brash or bratty Keats," writes Jessica Winter at Moving Image Source, "but textbook emo-Keats: feline and kind, delicate and almost vaporous, a little histrionic;
"Nemo Nobody is dying," writes Todd Brown at Twitch. "Nemo Nobody is in love. Nemo Nobody is old and infirm. Nemo Nobody is a wide-eyed child. Nemo Nobody is rich and successful. Nemo Nobody is a wild
Fatih Akin's Soul Kitchen won the Special Jury Prize in Venice and screens today, tomorrow and Saturday in Toronto. "So over-the-top boisterous that I initially misinterpreted its gleeful
Accident (Soi Cheang, Hong Kong): The saddest moment in a usually restrained film. Our hero, a widower, sees the man he is spying on meet a woman. Next shot is of the LED lights of audio equipment
The Coen Brothers, Bruno Dumont, Cheang Soi, and Karl Kels All Ask: Which Door Will the Rhino Enter?
Hotel Atlântico (Suzana Amaral, Brazil): The less said about the first film I saw at Toronto, which unfortunately has set the tone for the festival, the better. But this sad pastiche of bad existential
"With his movie debut A Single Man, Tom Ford proves he's just as much of a stylist in the director's chair as he was when he turned around the fortunes of Italian fashion house Gucci in the
Above: La Ragazza in vetrina (Luciano Emmer, 1961). Viaggio di nozze (Giulo Questi, 1961)Il Passo (Giulo Questi, 1964)i These two rare shorts by Giulio Questi were both part of episode films, a common