Slow Criticism, František Vláčil, More
David Hudson"What happens when even the most experienced and investigative critics are confronted with films that bring them out of their 'comfort zone'?" asks de Filmkrant editor Dana Linssen, introducing
"What happens when even the most experienced and investigative critics are confronted with films that bring them out of their 'comfort zone'?" asks de Filmkrant editor Dana Linssen, introducing
Frantisek Vlácil, B Kite on Welles, “My Dog Tulip,” More
If you want a stark understanding of the difference between a transportive work of art and an immersive work of art, you could do worse than to watch Vlacil's Marketa Lazarová and The Valley of the Bees
Nick Hasted opens the Italian Cinema Special in the May issue of Sight & Sound: "When Paolo Sorrentino's Il Divo and Matteo Garrone's Gomorrah caused a double sensation at Cannes in 2008, Sorrentino