Some Violence Is Required: A Conversation With Pedro Costa
David JenkinsThe Portuguese maestro talks digital, film and DCP, early influences and teachers, David Fincher and filmmaking now.
The Portuguese maestro talks digital, film and DCP, early influences and teachers, David Fincher and filmmaking now.
A look at posters in which actors are absent and the title treatment is king.
Also: Hoberman on It’s Halftime in America and the prospects for “an Obama-inflected Hollywood cinema.”
Three notes on Wings and William Wellman’s home movies.
Also: Theo Angelopoulos, Alberto Lattuada and Jean-Pierre Gorin on DVD.
Happy 80th, Ms Dickinson.
Part two of our guide to New York’s retrospective on pre-Code films.
A two-week-long Howard Hawks season launched this weekend at BFI Southbank in London and, in the Guardian, David Bromwich writes: "The best actors of Hollywood films for three decades did a lot of
"LACMA's weekend series Fuller at Fox zeroes in on a blazing trail of six signature works for Darryl Zanuck's (now-75-year-old) studio — what the director called 'a new period of creativity and
Gentlemen Prefer Blondes (1953) isn't my favorite Howard Hawks film, musical, Marilyn Monroe picture, or use of Technicolor, but watching it again in a frighteningly flawless new restored print for a
Above: Stanley Kubrick's final film, Eyes Wide Shut. “Late Films,” BAM’s new series is titled, as a series of neglected films made late in major directors’ careers, but as if the films themselves were
No wait: Blonde Crazy! No wait, Blonde Venus! No wait, Bombshell! No wait, Negative Space! If you live in New York, see this magnificent film this Saturday in a double feature with Rowland Brown