Rotterdam 2010: 1960s Wild Styles
Daniel KasmanAfter seeing Kiju Yoshida’s debut film Good for Nothing (1960), we can add the filmmaker’s name to the rare list of studio directors whose first films signal immediate, restless talent, vision fully
After seeing Kiju Yoshida’s debut film Good for Nothing (1960), we can add the filmmaker’s name to the rare list of studio directors whose first films signal immediate, restless talent, vision fully
Above: Not Du côté d'Orouët, but rather a film that it greatly resembles and is influenced by, Jean Rouch and Edgar Morin's documentary Chronicle of a Summer (1961). Jacques Rozier is a name few American