Cannes 2013. Ambush from Four Directions: Jia Zhangke's "A Touch of Sin"
Daniel KasmanJia layers fiction, documentation, cultural history & cinema history into a fluid and elegant series of four geography-spanning moral tales.
Jia layers fiction, documentation, cultural history & cinema history into a fluid and elegant series of four geography-spanning moral tales.
A self described homage to King Hu and Chang Cheh reveals itself to be strongly rooted in the consistency and strength of Jia’s film world.
Locarno awards Herzog, 2001 is explained by a menu, two amazing trailers drop, and more…
Also: News from Kustendorf, Berlin, Rotterdam, Sweden, Norway, France and beyond.
Godard talks about his next film, Benning mentions one he slipped in between Ruhr and Twenty Cigarettes — and more.
Senses of Cinema editor Rolando Caputo introduces the new issue: "For some time now, Senses has wanted to publish an English language translation of Jean-Baptiste Thoret's seminal article, 'The Seventies
This coming Saturday, Not Coming to a Theater Near You presents Jia Zhangke's rarely screened 2007 documentary, Useless, at the 92Y Tribeca. Leo Goldsmith opens a new series, Jia Zhangke's Migrations
In a city often derided as art-phobic and money-obsessed, the Hong Kong International Film Festival provides an annual opportunity for local audiences to contextualize their own regional cinema alongside
The Festival del film Locarno (August 4 through 14) has announced that it will award the Pardo d’onore Swisscom (Leopard of Honour) to Jia Zhangke. Olivier Père, Artistic Director: "This is the first time
Above: Frammartino's Le quattro volte. Le quattro volte (Michelangelo Frammartino, Italy) There are too many great moments to mention in each section of this four part film set in the Italian countryside—the
"Like his last film, 2008's 24 City, Jia Zhangke's Un Certain Regard title I Wish I Knew is a documentary/fiction hybrid about modern-day China," begins Matt Noller at the House Next Door. "Where
Talking heads, a wandering ghost frought with meaning, and a politely complacent tone sabotage the new, overlong, and very “inside” documentary on Shanghai by Jia Zhangke, I Wish I Knew. Whether due