Daily Briefing. Rollin, Hardy, Landis, Dante
David HudsonHardy’s got a sequel to The Wicker Man, but Nicolas Cage has another idea.
Hardy’s got a sequel to The Wicker Man, but Nicolas Cage has another idea.
Also: Tony Pipolo on Jean-Marie Straub and more best-of-2011 lists.
Also: David Bordwell on Joe Dante and Fortissimo at MoMA.
No film this year opens more promisingly and ends more dismally than J.J. Abrams’ Super 8. Promising not only because the first shot—a somber tracking shot as the “Days without an accident
"To watch Sanshiro Sugata, one of the most accomplished directorial debuts in film history, is to marvel at the emergence of a film artist whose aesthetic sensibility is fully formed from the first
One thing I’ve found consistent in the handful of film festival experiences I’ve had is that by a certain point you’ve seen so much sloppiness that when a crafty movie comes along, one made with skilled
Starting tomorrow at the New Beverly Cinema in Los Angeles, Joe Dante will be presenting a week-long series of rarely screened favorites he calls, naturally enough, Dante's Inferno. Bruce Dern
Joe Dante has earned the right to be called a survivor, with a substantial career in which he has ping-ponged from big-budget sci-fi spectaculars (with attendant studio interference) to TV and low-budget
Above: Dante's The Howling (1981). Joe Dante was kind enough to grant interview time during his visit to the Edinburgh International Film Festival. In a public event, he spoke of his early days cutting