Does anyone really want to see a still from The Green Hornet here on the front page of The Daily Notebook for the next few days? I didn't think so. I thought we might prefer a shot of Faye Dunaway in
A month ago, Dennis Lim had a piece in the New York Times on the emergence of films "that could be said to blur or thwart or simply ignore the distinctions between fiction and nonfiction, staking out
Above: Tizza Covi and Rainer Frimmel's La pivellina. The recently wrapped Los Angeles Film Festival succeeded in reinventing itself—a new location in "revitalized" downtown with a new