Still Raining, Still Dreaming (Phil Solomon) / Waterfront Follies (Ernie Gehr) A perfect double feature. Still Raining, Still Dreaming continues Solomon's explorations of Grand Theft Auto
"The GoodTimesKid was a title that I and the co-writer Gerardo Naranjo came up with while we were studying at AFI together," Azazel Jacobs told James van Maanen at GreenCine Daily last August
Above: the longest sequence in the world, the ribald carnival scene in Tom. Credit: Ken Jacobs. Above: not three dimensions but two: flattened faces. Credit: Ken Jacobs. Above: one of the most
The two short highlights (Conners, Dorskys excluded): landscape films. In Pat O’Neill’s Horizontal Boundaries, a flurry of tableaux, stripes (like a flag’s) of Los Angeles sidelines and signs adrift in
Shorts program one of Views from the Avant-Garde was entitled “The Warmth of the Sun”—for AG’s Emersonian vein of wind in the trees, shadows in the water, mountains in the sky? So it seemed with Ben Rivers’