Cannes 2012. Kôji Wakamatsu's "11/25 The Day Mishima Chose His Fate"
Daniel KasmanKôji Wakamatsu continues his look at Japanese history with a micro-biopic on the passion of Yukio Mishima.
Kôji Wakamatsu continues his look at Japanese history with a micro-biopic on the passion of Yukio Mishima.
Dennis Lim on United Red Army, the LAT’s directors roundtable and more.
Love Will Tear Us Apart is “a series of twisted, obsessive, heart-blazing love stories from Japan and Korea.”
A guide to New York’s new film festival of overlooked treasures playing at the Museum of the Moving Image in Queens.
After 11.25 Jiketsu no Hi: Mishima Yukio to Wakamonotachi, this will be the second film from Koji Wakamatsu in 2012.
Also: Saul Bass’s sole directorial effort. Bertolucci in Melbourne. Berlinale 2012 retrospective. Elvis and Nixon and more.
Of course there'll be another roundup on The Tree of Life. But first, let's give a little breathing room to some of the other films opening this Memorial Day Weekend. "The extreme leftists of the
"A onetime yakuza turned jailbird turned filmmaking enfant terrible, the now-75-year-old Japanese director Kōji Wakamatsu has long been loved by cinema cultists for an outrageous string of 1960s provocations
We at MUBI think that celebrating the films of 2010 should be a celebration of film viewing in 2010. Since all film and video is "old" one way or another, we present Out of a Past, a small (re-) collection
"We have exciting news on the horizon for Kôji Wakamatsu fans," tweeted Kino Lorber a few days ago. "An official theatrical release of United Red Army???" asked Kenji Fujishima. The answer was
So we've got entries going on David Michôd's Animal Kingdom and Edgar Wright's Scott Pilgrim vs the World and we've checked in on various local scenes. Here's a sampling of what the critics are saying
Koji Wakamatsu's Caterpillar, screening at Edinburgh International Film Festival, is a short yet grueling tale of domestic horror set in a semi-depopulated Japanese village during World War Two