Doctor Destouches, Léos Carax, and the "Emotive Account"
retinalechoesA look at Léos Carax’s The Lovers on the Bridge and the poetics it shares with the literature of Louis-Ferdinand Céline.
A look at Léos Carax’s The Lovers on the Bridge and the poetics it shares with the literature of Louis-Ferdinand Céline.
The great Nagisa Oshima has passed away, Senses of CInema has a new World Poll, David Bordwell on the evolving cinema of 1908-1920, & more.
In our annual poll, we pair our favorite new films of 2012 with older films seen in the same year to create fantastic double features.
A look at live-sung musical numbers, past and present.
Decoding the dharma of Denis Lavant’s cosmic ascent to The Real World.
This week: two major film magazines unveil their new issues, Adam Nayman reveals why Jaws is the “greatest movie ever made”, and more…
The first of an aborted Festival de Cannes project of handing out sheets of paper to attendees and asking for immediate reactions to films.
The festival arrives at a close, with films in competition from David Cronenberg, Sergei Loznitsa, Im Sang-soo, and Jeff Nichols.
Three standous: a school musical brawl film by Miike, an episodic, shapeshifting nightcrawl by Carax, and fragments of grief from Rosales.
Léos Carax’s long-awaited return to Cannes is a loud one, and Carlos Reygadas’ Post Tenabras Lux sounds like a divisive highlight.
Also: Even as the 2011 lists keep coming, we’ve begun to look ahead to 2012.
Also: Gaza filmmakers head to Austin to see a movie in a theater for the first time.