Berlinale 2013. Impressions: B-Sides
Adam CookSome reflections on the Berlinale’s retrospective programming, Leviathan inspired art installations, & thoughts on a few more films.
Lucien Castaing-Taylor
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The Noteworthy: The Abel Comeback, Godard on Set, a David Lynch Short
NotebookAbel Ferrara gets funding for two projects, Leviathan gets a new trailer, Kurosawa storyboards, a new David Lynch short & more.
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The Noteworthy: LFU 15/1, "Historic Centre", Carpenter's Favorite Westerns
Adam CookLa Furia Umana debuts in print, Scorsese and De Palma prep new projects, Cinema Scope divulges their 2012 faves, Oshima + Kurosawa & more.
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Notebook's 5th Writers Poll: Fantasy Double Features of 2012
Daniel KasmanIn our annual poll, we pair our favorite new films of 2012 with older films seen in the same year to create fantastic double features.
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TIFF 2012. Correspondences #8
Daniel KasmanOur correspondant’s last report from TIFF discusses new Oliveira, work from a HK genre master, Leviathan, and more.
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TIFF 2012. Correspondences #7
Fernando F. CroceMore on Malick in our critics’ TIFF correspondence, which continues with Oliveira’s new film, a visceral documentary and a restored classic.
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TIFF 2012. Wavelengths (P)review: Part Two – The Features
Michael SicinskiAn evaluation of the feature films programmed in TIFF’s Wavelengths section.
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The Noteworthy: Werner Herzog & The Killers, Venice Underway, The Brain & The Body
Adam CookThis week we have word on upcoming projects from Werner Herzog, updates from Venice & Adrian Martin on Stephen Dwoskin and Chris Marker.
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Leopard Prints: Digital Dreams at the 2012 Festival del Film Locarno
Leo GoldsmithA wrap-up overview of Locarno—which turns out to be the last under Artistic Director Olivier Père—its prize-winners and highlights.
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Heavy Metal: An Interview with "Leviathan" Co-Director Véréna Paravel
Adam CookThis incredible experimental doc is now out in the US; we talked to the filmmakers at Locarno.
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Trailer for Véréna Paravel and Lucien Castaing-Taylor's "Leviathan"
NotebookThe new documentary from the filmmakers of Sweetgrass and Foreign Parts looks absolutely stunning.
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Cinema Scope, "Sweetgrass"
David Hudson"One way of approaching Cinema Scope, to me," writes editor Mark Peranson, "is as a curated work that has always straddled the boundary between criticism and programming, attempting to provide an overview