Video of the day. Michael Mann's Next: "Luck"
Daniel KasmanMann talked to the Financial Times back in October about the project.
Mann
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For the Filming of Widescreen Snowscapes and Against the Interpretation of Dreams
Doug DibbernThere was a moment at the Battery Park 11 during the opening week of Christopher Nolan’s Inception—the sequence three dreams deep in the vortex where Leonardo DiCaprio and Ellen Page are skiing across
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The Forgotten: Cold Warrior
David CairnsA Dandy in Aspic (1968) is Anthony Mann's last film, or perhaps not: he died during production, and the remaining footage, including the film's ending, was shot under the direction of the star, Laurence
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Mann Power: The Director as Worker
Doug DibbernFilm Forum is presenting a 32-film Anthony Mann retrospective in New York from 25 June - July 15. *** Mann’s Westerns present “both beautiful landscapes and the explanation of this beauty
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The First Ten Minutes of "Ali"
Ignatiy VishnevetskyEverything happens in the first ten minutes of Ali. All of cinema, as it now stands, could be represented in that medley—its editing is the history of editing, its images an overview of cinematography
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Hollywood and Its Antecedents: Michael Mann's "The Last of the Mohicans"
Ben SachsThe Last of the Mohicans screened in Chicago on October 26 as part of Doc Films' Michael Mann retrospective. *** The auteurist defense of Michael Mann tends to overlook that his creative freedom came
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Phantasmagoria: "The Keep"
Ignatiy VishnevetskyThe Keep plays as part of a 10-film Michael Mann retrospective at Chicago’s Doc Films on October 5th . *** A little fairy tale: wayward German soldiers occupy a cursed, abandoned Romanian fortress
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Mann's Work: Night Drive
Ignatiy VishnevetskyYou couldn't ask for anything better — wind, cold that makes you put your collar up and shove your hands in your pockets, a threat of rain. Terrible weather to be out in, but great weather to leave Michael
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Thieves and Enemies: Some Thoughts on Michael Mann’s Evolution
Fernando F. CroceThief is a remarkably world-weary feature debut. Michael Mann was only 38 when he directed it in 1981, yet he was already an old pro, with several shorts, TV episodes (Police Woman), and one TV production
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Dispatches from "Public Enemies," Part 3: The Mad Masters
Ignatiy VishnevetskyAbove: Michael Mann (second from the right) and crew members working on Public Enemies. Photo by Rob Olewinski. I spent a few days in the summer of 2008 on the set of Michael Mann's Public Enemies
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Dispatches from "Public Enemies," Part 2: Beyond the Time Barrier
Ignatiy VishnevetskyAbove: The Biograph Theater in 1934 and as it appeared when re-decorated in 2008 for the production of Public Enemies. I spent a few days in the summer of 2008 on the set of Michael Mann's Public Enemies
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Dispatches from "Public Enemies," Part 1: Dillinger Is Dead
Ignatiy VishnevetskyAbove: Stand-ins help rehearse a scene from Public Enemies. Photo by Rob Olewinski. I spent a few days in the summer of 2008 on the set of Michael Mann's Public Enemies, which was shooting at the time