Daily Briefing. Visions and Adaptations
David HudsonThe visions are from the 1970s, the adaptations from the mid-19th century.
The visions are from the 1970s, the adaptations from the mid-19th century.
It's been a week and a half since the night of those controversial awards. Time to wrap Venice 2010 with one final roundup. The festival closed with Julie Taymor's The Tempest and, while the lineup
Nick Hasted opens the Italian Cinema Special in the May issue of Sight & Sound: "When Paolo Sorrentino's Il Divo and Matteo Garrone's Gomorrah caused a double sensation at Cannes in 2008, Sorrentino
"Sad, funny, and acutely self-conscious, Noah Baumbach's Greenberg is unafraid to project a downbeat worldview or feature an impossible protagonist," writes J Hoberman in the Voice. "I'd be hard
"Less a biography on the early life of Fascist leader Benito Mussolini than a dissection into creating (and sustaining) a cult of personality," writes Acquarello, "Marco Bellocchio's Vincere is a textured