Cannes 2013. Dialogues: Sofia Coppola's "The Bling Ring"
NotebookThe first of a series of “dialogue” dispatches from Cannes between Adam Cook & Daniel Kasman.
The first of a series of “dialogue” dispatches from Cannes between Adam Cook & Daniel Kasman.
In anticipation of the release of Bay’s new film Pain & Gain, this week’s column looks at a pop pulverizer.
Just a handful of links this week: Keira Knightley remembers Tony Scott, new trailers from Michael Bay and Terrence Malick, and more.
Also: SXSW completes its lineup. Capitalism on the high seas. Gondry’s next film is selling nicely. And more.
Also: David Fincher on the embargo brouhaha. Charges against Lars von Trier dropped. And more news and goings on.
F.T. Marinetti and Paul Virilio walk into a bar, which turns out to be the set of a Michael Bay movie and it explodes. No one is hurt. PG-13
"Visual, therefore visceral," snaps John Malkovich in Transformers: Dark of the Moon as some sort of wacky Michael Bay proxy, a conglomerate martinet who screams at his crew, checks out the leading lady
The new CGI opus from the disreputable Bay conjures unreal visions of robots ruling the earth.
Updated through 6/30. "No, I don't think Bay can direct actors," concedes Bilge Ebiri in an entry he posted yesterday entitled "In Defense of Michael Bay (Sort Of)." What's more, "No, I don't think
Thank you Apple for this "exclusive image." From Michael Bay's Tranformers: Dark Side of the Moon (2011); featuring Rosie Huntington-Whiteley; cinematography by Amir Mokri. (Withering sarcasm
The way to enjoy Michael Bay is to deny him his rights as a filmmaker. That is, to turn his fascism around and onto him. Instead of bludgeoning him, your power is denial, or reduction. You can limit
Last week, we wrote, " [T]he Transformers films are abominations which any grown adult ought to be ashamed to even bring up in conversation." Hence, this week: Transformers! The jive (or whatever its