Daily Briefing. Bergman's Videos, Antonioni's Docs and More
David HudsonAlso: Posters for this year’s Directors’ Fortnight and Critics’ Week, “Great Directors” in San Francisco, Picasso in London and more.
Also: Posters for this year’s Directors’ Fortnight and Critics’ Week, “Great Directors” in San Francisco, Picasso in London and more.
Gray is at BAMcinématek tonight. And Offscreen focuses on Fellini and Powell and Pressburger.
“One of the strangest epics, most bizarre propaganda efforts, and greatest films to ever emerge from the British cinema.”
We at MUBI think that celebrating the films of 2010 should be a celebration of film viewing in 2010. Since all film and video is "old" one way or another, we present Out of a Past, a small (re-) collection
We at MUBI think that celebrating the films of 2010 should be a celebration of film viewing in 2010. Since all film and video is "old" one way or another, we present Out of a Past, a small (re-) collection
"Let me count the ways I love the Harry Potter movies," wrote Amy Taubin in the summer of 2009, as if asking permission to do so in Artforum's virtual pages. First, they "remind me of growing up enthralled
Michael Powell's 1937 film, something of a creative and business breakthrough for the pioneering filmmaker after a considerable and lengthy apprenticeship, as it were, churning out "quota quickies
This is the film that made me fall in love with Montvideo. Montevideo being the major city in Uruguay and the setting for the climax of this picture, a naval battle whose outcome I shall be spoiling
Dave Kehr in the New York Times on the fifth volume of Warner's Film Noir Classic Collection and the second volume of Sony's Columbia Pictures Film Noir Classics: "What you do get from these combined
Cosmic View
So. Where were we? Right, I was saying that I'd "been dreaming up a new format and, if all goes according to plan, it'll be rolling out slowly in two phases." Well, plans change. In this case, for the
ABSENTIAS "Switch your gorgeous minds to overdrive: this is really quite important." Some filmmakers, alas, are forgotten when they die, but some are forgotten even before. Michael Powell spent most