Modernist art-cinema trope #2301: To live life comfortably in the modern world, one must believe in (or buy into) the charade of modern life. The ending of Michelangelo Antonioni's Blow-Up is anticipated
Resolved: every video rendition of a film should be transfered and mastered and manufactured with as much technical expertise and care as humanly possible. Of course if that were the case we would have
THE THREE FACES OF EVE I tre volti (Three Faces of a Woman, 1965) is, among other things, the Antonioni film you're least likely to have seen, the Bolognini film you're least likely to have seen (a
Above: Philippe Falardeau's It's Not Me, I Swear. Judging a festival by its trailer—a dictum noticeably absent whenever we speak about this or that festival from Trendytown USA to the reliable global
One of the most provocative, problematic, and eye-popping films in Antonioni's oeuvre, 1970's Zabriskie Point is a film that grows riper for reassessment the further it gets, temporally, from the counter