Flash Dance: 4 or 5 New Movies by Ernie Gehr (some notes)
David PhelpsErnie Gehr: fully developed, partially exposed. Gehr’s digital lacings.
Ernie Gehr: fully developed, partially exposed. Gehr’s digital lacings.
Jacobs’ masterpiece is re-appearing at a retrospective on the filmmaker in NYC.
Béla Tarr’s masterful “final film,” The Turin Horse, is now seeing a theatrical release in the US.
Indexing our own reviews and interviews as well as our coverage of the coverage of this year’s edition.
Reviews aren’t as over-the-moon as they were in Cannes, but no one’s denying The Artist’s popular appeal.
An enthusiastic rave, a vigorous pan and much disagreement in between.
An overview of the 37-film NYFF sidebar, Velvet Bullets and Steel Kisses: Celebrating the Nikkatsu Centennial.
This round, we’re not seeing reviews as enthusiastic as some that appeared out of Toronto and Telluride.
“It’s ultra-macho muscle Jews versus fanatical neo-narodniks.”
“What’s the line between a provocative, no-holds-barred drama about race relations and a straight-up racist film?”
An interview with the Argentine director of the Locarno, TIFF and NYFF-selected film, El Estudiante.
“Lola Créton will be the next pouting-faced star of French cinema.”