Super Cannes: Pablo Larraín's "No"
Celluloid Liberation FrontAn extraordinary incursion in the potential of historical fiction that bypasses dates, landmarks and heroes to show history from within.
Pablo Larrain
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Cannes 2012. Awards
NotebookThe Palme d’Or goes to Michael Haneke’s Amour. Also, a comprehensive list of all the award winners.
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Cannes 2012. Days 4-5, Essential Reads
Adam CookNew films from past Palme d’Or winners Cristian Mungiu and Michael Haneke are among the latest to screen at Cannes.
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Daily Briefing. The Far East, Megacities and Music
David HudsonA Letter to Momo in Japan, Hou Hsiao-hsien on Taiwanese cinema, Nicolas Rapold on Michael Glawogger, Ben Rivers’s playlist and more.
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Daily Briefing. JLG, Benning/Cassavetes, Jia + Zhao
David HudsonGodard talks about his next film, Benning mentions one he slipped in between Ruhr and Twenty Cigarettes — and more.
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NYFF 2010. Pablo Larraín's "Post Mortem"
David HudsonNelson Kim for Hammer to Nail: "Pablo Larraín follows up his acclaimed Tony Manero with the same production team, the same lead actor (the brilliant Alfredo Castro), and the same overall mission: to
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Venice 2010. Pablo Larraín's "Post Mortem"
David Hudson"Pablo Larraín is a Chilean director whose feature Tony Manero (2007) revived the memory of John Travolta and Saturday Night Fever in the most unexpected of contexts," writes the Guardian's Peter Bradshaw
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DVDs. "Tony Manero," "The Sun," Leone and More
David Hudson"Disco and Dantean inferno, Pablo Larraín's Tony Manero portrays a dead-eyed survivor who is 'stayin' alive' during the bloody years of Augusto Pinochet's regime in Chile." James Quandt for Artforum