NYFF 2011. Pedro Almodóvar's "The Skin I Live In"
David Hudson“Almodóvar’s most formally complex, bravura film since All About My Mother (1999).”
“Almodóvar’s most formally complex, bravura film since All About My Mother (1999).”
A look at the posters for the films in the main slate of this year’s New York Film Festival.
Almodóvar’s gothic horror opens in the UK before moving on to the Toronto and New York film festivals.
Updated through 5/21. "It is almost a given that detractors of the newest from Pedro Almodóvar will blurt out the film's baroque twists in their contortions to craft the glibbest dismissal possible;
"The German" is returning to Germany. Even if only for a couple of weeks. "Werner Herzog, one of the most important filmmakers of Auteur Cinema, will be the President of the International Jury at the
As the New York Film Festival closes tonight with Pedro Almodóvar's Broken Embraces, I should note that there's still a handful of entries on films screened at this year's event in the works and that
Broken Embraces opens in U.K. theatres August 28.
This week's New York Times Magazine is a special issue devoted to an argument: "Women's Rights are the Cause of Our Time." On Tuesday, Criterionreleases Chantal Akerman's Jeanne Dielman, 23
There’s one great image in Abrazos Rotos, and it’s straight from Godard’s Prenom Carmen: a hand, in silhouette, hovers over a blue, static TV screen. It’s not a great image because it’s pretty. Almodóvar