Some Violence Is Required: A Conversation With Pedro Costa
David JenkinsThe Portuguese maestro talks digital, film and DCP, early influences and teachers, David Fincher and filmmaking now.
The Portuguese maestro talks digital, film and DCP, early influences and teachers, David Fincher and filmmaking now.
Our first report from the 2013 festival, about new films by Sergei Loznitsa, Peter Schreiner, Pedro Costa, and Filipa César.
La Furia Umana debuts in print, Scorsese and De Palma prep new projects, Cinema Scope divulges their 2012 faves, Oshima + Kurosawa & more.
Startling images from Pedro Costa’s contribution to an omnibus including new films by Manoel de Oliveira, Victor Erice and Aki Kaurismäki.
Also: Adam Curtis on Dead of Night, life, the universe and everything. And more.
Also: Raúl Ruiz’s widow, Valeria Sarmiento, is completing what would have been his next project.
The co-director of Jafar Panahi’s This Is Not a Film is banned from traveling outside Iran. Plus: Senses of Cinema needs help.
Jornal de Notícias is among the Portuguese news outlets reporting today that Pedro Hestnes, the actor best known internationally for his performances in Pedro Costa's Blood and Casa de Lava and
This coming Saturday, Not Coming to a Theater Near You presents Jia Zhangke's rarely screened 2007 documentary, Useless, at the 92Y Tribeca. Leo Goldsmith opens a new series, Jia Zhangke's Migrations
Editor Mark Peranson has announced that, starting this winter, in a "slight capitulation to the realities of the 2010s," Cinema Scope will be running a weekly online supplement of "reviews and reports
"Robert Kaylor's 1971 documentary Derby is a quintessential movie about the American dream," writes Michael Joshua Rowin for Artforum. "The film centers on a young factory worker, Michael Robert Snell
Ne change rien opens this evening for a two-week run at New York's Anthology Film Archives. Keith Uhlich in Time Out New York: "In this captivating black-and-white documentary portrait, Portuguese