What is the 21st Century?: Frame-Rate Follies
Ignatiy VishnevetskyAfter a three year absence, the column returns with a look at The Hobbit’s 48 fps technology.
After a three year absence, the column returns with a look at The Hobbit’s 48 fps technology.
Also: Revisiting Claire Denis’s Beau Travail, Robert M Young’s Alambrista! and more.
Also: New books, silver discs and goings on all over.
Also: Jason Reitman stages a reading of Reservoir Dogs with an all-black cast.
How the ecstasies & psychedelias of Performance Capture unsettle us (or not) in the best possible way.
Checking in on how audiences (and critics) are taking to Tintin midway between its European premiere and Stateside opening.
Early reviews are coming in from Brussels and London.
Following a roundup of reviews of films opening this weekend, a look ahead at some of the titles rolling out through Christmas, including, of course, the season's big event movie. "Philadelphia for
Director Peter Jackson has had one of the most unusual journeys in contemporary film history, going from frantic micro-budgeted shock-horror-comedy grossouts shot in his native New Zealand in the mid
"The Lovely Bones, which was given its premiere last night at the Royal Film Performance in the presence of the Prince of Wales and the Duchess of Cornwall, is a domestic tragedy that unfolds under