Robert Bresson's "The Devil, Probably"
David Hudson“How to account for the intensity of feeling this film inspires?”
“How to account for the intensity of feeling this film inspires?”
A look at the second, revised edition of James Quandt’s crucial anthology, Robert Bresson.
The new issue features a walloping dossier on Jerry Lewis. Also: New books and old docs.
Also: Early word on new projects from Hong Sang-soo, Sofia Coppola and more.
The complete retrospective will carry on touring North America through May.
Two similar and mysterious moments from Au hasard Balthazar and Une femme douce. What’s going on here?
Tracing Bresson’s audio-visual sensibility back to the formally-ambitious film comedies of the early 1930s.
An unexpected detail in Robert Bresson’s 1966 masterpiece, Au hasard Balthazar.
Introducing a new series of essays on the “tightly-packed excess” of Robert Bresson.
A look at the best posters for the films of Robert Bresson, to coincide with the Film Forum retrospective.
The issue features a dossier on Orson Welles. Also: Remembering Doe Avedon.
The Poetry of Precision: The Films of Robert Bresson is the first complete retrospective in North America in 14 years.