The Boundaries of Psychiatry and Cinema: Romuald Karmakar’s "The Deathmaker"
Carson LundThoughts on The Deathmaker (1995), the most widely seen film by the heavily neglected German director Romuald Karmakar.
Thoughts on The Deathmaker (1995), the most widely seen film by the heavily neglected German director Romuald Karmakar.
The Ferronis take our end of the year double feature extravaganza to delirious heights.
Also: The latest on Charlie Kaufman’s surrealistic musical about a film blogger.
Venice! The Biennale! Retrospectives, new films, festival turmoil, art that’s not cinema—all this and more!
A double feature of an experimental Hitler montage, Conference, and Romuald Karmakar’s documentary The Flock of the Lord.
Above: Norbert Pfaffenbichler's Die Verhütung des Unheilbaren (2009). Notes taken in the dark of the cinema tend to fade into each other. They rarely conform to the vivid moments one recalls, later
"Revived for a week at Film Forum in an excellent restored print, The Prowler (1951) may be the creepiest of classic noirs," writes J Hoberman in the Voice. "Joseph Losey's hard-to-see third feature