Video of the day. Raya Martin's "Ars colonia" (2011)
Daniel KasmanWatch the amazing short by the talented Filipino auteur created for the International Film Festival Rotterdam.
Watch the amazing short by the talented Filipino auteur created for the International Film Festival Rotterdam.
After much debate the Ferronis finally cast a glance at this year’s IFFR and dish out comments and prizes.
An interview with José María de Orbe.
Aitá (José Maria de Orbe, Spain) develops sublimely what is undoubtedly an old pictorial idea: the study of light as inextricable from the study of death. De Orbe’s modest semi-doc fixes its steady
Facing the camera in two films.
Collecting my favorite posters from this year’s International Film Festival Rotterdam, one thing struck me: that I hadn’t actually managed to see any of the films these posters were advertising. With
Above: Sylvia Chang as Cloud, a woman or a ghost? King Hu’s Legend of the Mountain (1979) is an anomaly in the Water Tiger Inn wuxia series at Rotterdam in that it is no wuxia at all; in fact, the
Luc Moullet in Toujours moins (France), a short film suspiciously formed of footage of automated terminals (ATMs, ticket dispensers, turnstiles, etc.) over three decades (perhaps culled from the director
Short notes on the impressive and unexpected retrospective of Spanish-Catalan auteur Agustí Villaronga: His debut Tras en cristal (1987) reveals the filmmaker belonging to the post-Hitchcock group
Meet me between silent cinema and sound, and between the Soviets and the Americans in this crypto-remake of John Ford’s The Lost Patrol.
Jarringly, yet somehow like a somnambulist, half awake, reality a haze, politics in cinema can stab deepest when it is most blunted and blurred at the edges. Uncertainty can be as powerful as the heavy
The International Film Festival Rotterdam's Tiger Awards go to three feature debuts this year and the jury's issued statements for each of them.Sergio Caballero's Finisterrae (trailer above): "The