The Last Place You Look: "Diary of a Hitman"
Zach CampbellAn inaugural post in a series. Diary of a Hitman is a melancholic crime movie, with the benefits of modest, expressive craft.
An inaugural post in a series. Diary of a Hitman is a melancholic crime movie, with the benefits of modest, expressive craft.
An unexpected detail in Robert Bresson’s 1966 masterpiece, Au hasard Balthazar.
With Wenders’ name back in circulation with the release of Pina, we discover the great music from another of his documentaries.
A joshing jab at the great auteur in the English adaptation of Red Rackham’s Treasure.
No one throws a punch like John Wayne.
George Raft delivers a speech to Joan Bennett that should be dripping with self-pity but instead soars with slang and speed.
Lessons on how to be the man. (Not shown prerequisites: directing Air Mail, They Were Expendable, How the West Was Won.)
A work-in-progress lexicon of depressed speak. Tell offs and witticisms as amorphously surreal as a Max Fleischer cartoon!
A scene of erotic reverie in Frank Borzage’s Doctors’ Wives featuring a young, gorgeous Joan Bennett.
A photograph by Yul Brynner of the legendary director on the set of The Ten Commandments.
Light, shadow, and a moving camera keep Eddie G and company locked up with nowhere to go in the opening of Hugo Fregonese’s Black Tuesday.
Roger Deakins: Film is Dead, Long Live Film.