Notes on Terrence Malick’s "To the Wonder"
Darren HughesJuxtaposing transcendence and the everyday, beauty and the abject, To the Wonder is profane in ways Malick never could have intended.
Juxtaposing transcendence and the everyday, beauty and the abject, To the Wonder is profane in ways Malick never could have intended.
A standout amongst the 2012 Toronto International Film Festival’s world premieres.
About Rey’s experimental 16mm feature, differently, Molussia, which adapts a book on totalitarianism the filmmaker has never read.
The director talks about his new movie, home video cinephilia, working with cinema’s greatest composers, and more.
Our critics’ TIFF dialogue comes to a close with films by Sarmiento, Ruiz, Kitano, Radwanski and Cohen.
This week: striking reality & cinema-blending images, Rosenbaum on TIFF, and some naturally occurring companion pieces to Leviathan.
A comprehensive listing of all of our previews, correspondences, and reviews covering the 2012 Toronto International Film Festival.
Our correspondant’s last report from TIFF discusses new Oliveira, work from a HK genre master, Leviathan, and more.
More on Malick in our critics’ TIFF correspondence, which continues with Oliveira’s new film, a visceral documentary and a restored classic.
Our critics’ dialog picks up the P.T. Anderson and Bellocchio films before moving on to the new Malick, Tsai and an Argentine discovery.
On the role of caricature under dictatorial regimes and a reflection upon art as it is understood by Middle Eastern intellectuals.
More De Palma on our fifth TIFF dialogue, plus new work from Bellocchio and Von Trotta, and PT Anderson’s highly anticipated new film.