TIFF 2012. David O. Russell's "Silver Lining Playbook"
Sky HirschkronWave goodbye to the funny, unpredictable David O. Russell who took human beings disarmingly seriously.
Wave goodbye to the funny, unpredictable David O. Russell who took human beings disarmingly seriously.
Venice, TIFF, VIFF (festival galore) + Scorsese options Ebert’s memoir, Kent Jones writes on The Master & some retro Gallo venom.
An uncompromised comment upon the men who are now ruling Mozambique.
A combination of two Italian films at the festival show different approaches to the search for an image for today of Italian people.
Our fourth TIFF dialogue engages some of the best films of the festival: new work by Brian De Palma, Heinz Emigholz and Nathaniel Dorsky.
An evaluation of the feature films programmed in TIFF’s Wavelengths section.
Notes on two big budgeted Chinese films: a _wuxia_’s new tricks from old fiction, and a critical mainstream film by Lu Chuan.
The third entry of our two-critic TIFF correspondence highlights films by Reygadas, Assayas, Bertolucci and Baumbach.
Our two-critic TIFF dialogue continues with films by Wang Bing, Christian Petzold, Ying Liang and Ernie Gehr.
Our two-critic dialogue kicks off at this year’s Toronto International Film Festival with new films from Kiarostami, Haneke and Korine.
An in-depth preview of TIFF 2012’s program.
Kiyoshi Kurosawa’s first work since the prize-winning Tokyo Sonata is a five-part miniseries of haunted vengeance.