The Details: His Eyes Have “It!”
Alex HansenJean Cocteau has a secret weapon: Jean Marais’ eyes.
The Details
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The Details: Re-thinking Bergman, Part 1 – A Shifting Red
Carson LundA look at the subtle and multilayered use of color in The Passion of Anna (1969).
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The Details: Mann and the Ear
Carson LundAn exploration of the increasing visual emphasis on the ear in Michael Mann’s work.
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The Details: Two Mysterious Edits by Robert Bresson
Daniel KasmanTwo similar and mysterious moments from Au hasard Balthazar and Une femme douce. What’s going on here?
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NYFF 2011. The Shawl from Bela Tarr's "The Turin Horse"
Daniel KasmanA telling, accidental detail changes the feel of one of the Hungarian master’s virtuoso camera moves in his newest film.
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The Details: "Les rendez-vous d'Anna" (Akerman, 1978)
Darren HughesThe Criterion Collection's recent releases of Chantal Akerman's early work have given me my first opportunity to see many of the films that established her reputation. The most lauded—Jeanne Dielman
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The Details: "Seance" (Kurosawa, 2000)
Daniel KasmanThe Details is a column that catches the small within the big, focusing on the individual elements that make cinema so expressive. *** Not so long ago there was a discussion in our forums about off-screen
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The Details: Follow the Arrow ("Man Hunt," Lang)
Daniel KasmanThe Details is a column that catches the small within the big, focusing on the individual elements that make cinema so expressive. *** One fascinating point made by Tom Gunning's masterful book The Films
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The Details: Roberto Rossellini's "Il Generale della Rovere"
Daniel KasmanOur detail is a single shot done in a long-take from Rossellini’s 1959 film set in Genor during World War II.