The Forgotten: Better Loving Through Science
David CairnsL’inhumaine is Marcel L’Herbier’s ultimate triumph of design over narrative, drama, logic, and life and death.
L’inhumaine is Marcel L’Herbier’s ultimate triumph of design over narrative, drama, logic, and life and death.
Joan Crawford fights to get her man amid a sleek and glossy art deco world concocted by Cedric Gibbons at MGM, in Our Dancing Daughters.
Two silent classic adaptations benefitting from the spectacular designs of Natacha Rambova: Camille and Salome.
Sébastien Japrisot adapts David Goodis for a late René Clément film starring Trintignant, Robert Ryan, Aldo Ray and Lea Massari.
Ken Hughes directs octogenarian sex goddess Mae West in this attempt to transplant pre-Code spiciness to the seventies. Beware.
Richard Lester’s early jazz film It’s Trad Dad! combines music and surreal humor, foreshadowing his later Beatles movies.
The Devil appears to torment Méliès in his sleep: by showing him the future of cinema, in Pierre Etaix’s The Nightmare of Méliès.
Delbert Mann’s amnesia drama Mister Buddwing sees James Garner in search of his true identity in New York City.
In Liliana Cavani’s I cannibali, a young woman and a mysterious foreigner take to illegally disposing of the bodies of executed rebels.
Two privileged teenage girls form an obsession with a lounge lizard concert pianist and practically invent stalking.
An indescribable collage of unconnected bits, by Robert Downey (a prince).
Victor Sjöström’s supernatural drama gets an extravagant make-over from Julien Duvivier.