Forgotten Pre-Codes: "Afraid to Talk" (1932)
David CairnsCorruption runs rampant in a major city, until a mob hit threatens to expose it all.
Corruption runs rampant in a major city, until a mob hit threatens to expose it all.
Mobsters crash showbiz in this zippy, slangy pre-Code from Hollywood pro William A. Seiter.
A scheming stage mother frustrates her daughter’s romances in this pre-Code melo from savage scouser Charles Brabin.
Beginning a series looking at obscure pre-Code Hollywood films, made between the advent of sound and the strict enforcement of the Code.
Ishii’s savage slapstick satire subjects a family to reversion to savagery, suburban style.
A manic no-budget special effects comedy that achieves a certain cockeyed charm.
Extreme slow-motion images of activity in the English countryside, captured by David Gladwell.
In Gustav Machatý’s Erotikon (1929), a series of sexual intrigues results in tragedy and near-tragedy.
Fred Zinnemann’s war/postwar domestic drama gets closer to reality than Hollywood normally dared.
Jean Epstein’s fable of love imperiled. As simple as a fairy tale, but set against stark backgrounds of modern deprivation.
Max Linder, king of debonair comedy, works with arch-innovator Abel Gance for the one and only time in this short comedy.
A chambermaid in a run-down hotel becomes enchanted by an aging courtesan, lost in the past, and finds the key to her own future.