"There is only this."
Alex HansenTsai Ming-liang converses with God. God replies, “there is only this.”
Tsai Ming-Liang
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Expressing the Move
Hoi Lun LawFrancois Truffaut, Tsai Ming-liang, and the “reverberation, ambiguity and suggestiveness” of the cinephiliac writerly impulse of “the move.”
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Slow Walks, Half Truths and Red Bull: Being a Joint Account on the VIFF Experience
Adam CookA breakdown of the VIFF experience, its qualities and traits.
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TIFF 2012. Correspondences #6
Daniel KasmanOur critics’ dialog picks up the P.T. Anderson and Bellocchio films before moving on to the new Malick, Tsai and an Argentine discovery.
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TIFF 2012. Wavelengths (P)review: Part Two – The Features
Michael SicinskiAn evaluation of the feature films programmed in TIFF’s Wavelengths section.
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Ecstatic Nostalgia: New Theater Work by Tsai Ming-liang
Andrew ChanTsai offers both an intensified take on his brand of voyeurism and a sweet valentine to his cast of regulars.
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Senses of Cinema 58, Events, More
David HudsonThe event of the week in film criticism is the arrival of a new issue of Senses of Cinema, featuring a transcript of a talk Tsai Ming-liang delivered last year, "On the Uses and Misuses of Cinema
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Rotterdam 2010: Tsai Ming-liang & Lee Kang-sheng Shorts
Daniel KasmanSurprises big and small have peppered Rotterdam as they will any film festival, but who could have guessed that Madame Butterfly, the new 30 minute short work by Tsai Ming-liang (whose feature Face is
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French Connections: François Truffaut, Tsai Ming-Liang, Jerry Lewis
David HudsonFrançois Truffaut: A Winter Portrait, running Tuesdays through December 22 at the French Institute Alliance Française in New York, showcases the less-heralded work of the 1970s. "The 'efficiency' of
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Cannes 2009: Through the Looking Glass (“Visage,” Tsai)
David PhelpsTsai Ming-liang’s movies, critics noted more and more in his last few films, are founded from parallel universes, banal reality and another universe that opens up inside it. The other universe can