Similar Images #3
Daniel Kasman…Or: The Inventiveness of Filmcraft: How to Slide a Camera Down a Dune.
Tsui Hark
-
-
Notebook's 4th Writers Poll: Fantasy Double Features of 2011
NotebookIn our annual poll, we pair our favorite new films of 2011 with older films seen in the same year to create fantastic double features.
-
Daily Briefing. Videos of 2011 + Next Wave Avant-Garde
David HudsonAlso: Photos from the set of Paul Thomas Anderson’s The Master.
-
Daily Briefing. New Issues: Scope and Film Comment
David HudsonAlso: A Goldie for Paul Clipson. Franzen talks Corrections. And more.
-
Venice and TIFF 2010. Tsui Hark's "Detective Dee and the Mystery of Phantom Flame"
David Hudson"Tsui Hark, who directed about half of the best films of Hong Kong's golden age (Peking Opera Blues, Once Upon a Time in China, Zu: Warriors from the Magic Mountain) and produced most of the other
-
TIFF 2010. Day 8
Daniel Kasman0845 Detective Dee and the Mystery of the Phantom Flame (Tsui Hark, China) In marked contrast to Takashi Miike’s staunchly assignment-like, termite-filled genre epic
-
Rotterdam 2010: Attack of the Camera
Daniel KasmanI didn’t know what I was missing until I saw it right in front of me. Beaten and exhausted by 8 days at Rotterdam, I decided to end the festival on a high genre note with Tsui Hark’s Hong Kong
-
Now Playing: "Triangle" (Tsui / Lam / To, China)
Ignatiy VishnevetskyHere's the difference between Tsui Hark, Ringo Lam and Johnnie To in three similar images: Tsui's is a cinema of objects; even bodies are things. Character exists in the dialogue, but on the screen