"There are few contemporary filmmakers who grasp narrative as an expressive instrument in itself, and even among them Apichatpong Weerasethakul seems special," begins Max Goldberg in the San Francisco
A couple of months ago I featured all the international posters for Apichatpong Weerasethakul’s Palme d’Or routing Uncle Boonmee Who Can Recall His Past Lives, but this new poster, designed by the great Chris
Back in May I wrote about the posters of Apichatpong Weerasethekul in excited anticipation of his newest film at Cannes. However, when I saw the first poster for Uncle Boonmee Who Can Recall His Past
Photo by Fabrizio Maltese/EF Press/fabriziomaltese.com. Apichatpong Weerasethakul's Uncle Boonmee Who Can Recall His Past Lives was awarded the Palme d'Or this year at Cannes—where I wrote about the
Thai filmmaker Apichatpong Weerasethakul’s Uncle Boonmee Who Can Recall His Past Lives—which last night won the 2010 Palme d'Or, becoming one of the most adventurous, most experimental, and best winners