Venice 2011. Top Picks
Daniel KasmanFor those that must partake, an ordered list of films seen and favorites from Venice 2011.
For those that must partake, an ordered list of films seen and favorites from Venice 2011.
My final film at the 2011 Venice film festival is appropriately conclusive: Lav Diaz’ 6-hour Century of Birthing.
Johnnie To’s Life without Principle, his second film of 2011, and second dealing with the current financial crisis, premieres at Venice.
Silver Lion for Cai Shangjun (People Mountain People Sea). Acting awards for Michael Fassbender and Deanie Ip.
For some, Terraferma is an “absorbing drama” about immigration. Others see no need for it to be competing in a major film festival.
A double feature of an experimental Hitler montage, Conference, and Romuald Karmakar’s documentary The Flock of the Lord.
The trades are not impressed, but Akerman’s first narrative feature in seven years does have its champions.
Aleksandr Sokurov finishes his tetralogy of power with a magnificent, grotesque adaptation of Goethe’s Faust.
Abel Ferrara’s 4:44 Last Day on Earth is a small, apocalyptic but love-filled ode to self-doubt, New York City and the female body.
Sono Sion’s Himizu, his second film of 2011, is set just after Japan’s devastating natural catastrophe.
All the coverage of the coverage, plus our own reviews and interviews.
Augusto Tretti’s bluntly hilarious economic-political satire Il potere roars through Venice.