Venice 2011. Victor Kossakovsky's "¡Vivan las antipodas!"
David HudsonA “brightly original and, for once, entirely positive take on the planet Earth.”
A “brightly original and, for once, entirely positive take on the planet Earth.”
They’re saying it’s a mess. Some are saying, though, that it’s a very fun mess.
For some, a deluge of CGI drowns Tony Ching’s latest; others have simply kicked back and enjoyed the ride.
Solid first reviews for McQueen’s followup to Hunger.
David Cronenberg’s A Dangerous Method tackles Jung, Freud and psychosexual frontiers with a supreme, stately restraint.
Vincent Paronnaud and Marjane Satrapi’s followup to Persepolis splits the critics.
Ross McElwee’s new documentary brings a unique definition to the idea of personal or private cinema.
“It’d be rash to call it a better film than Dogtooth, but it is, in the relative scheme of these things, a bigger one.”
So far, there’s little but disappointment across the board in this latest color feature from Garrel.
Most critics get a kick out of Soderbergh’s first all-star blow-out since Ocean’s Thirteen, but some have reservations.
Cinephilia is put to the ultimate test in Amir Naderi’s terrific film from Japan, Cut.
A magic mirror reveals art and terror in London’s National Gallery.