Venice, Telluride, Toronto 2011. Steve McQueen's "Shame"
David HudsonSolid first reviews for McQueen’s followup to Hunger.
Solid first reviews for McQueen’s followup to Hunger.
David Cronenberg’s A Dangerous Method tackles Jung, Freud and psychosexual frontiers with a supreme, stately restraint.
Vincent Paronnaud and Marjane Satrapi’s followup to Persepolis splits the critics.
Ross McElwee’s new documentary brings a unique definition to the idea of personal or private cinema.
“It’d be rash to call it a better film than Dogtooth, but it is, in the relative scheme of these things, a bigger one.”
So far, there’s little but disappointment across the board in this latest color feature from Garrel.
Most critics get a kick out of Soderbergh’s first all-star blow-out since Ocean’s Thirteen, but some have reservations.
Cinephilia is put to the ultimate test in Amir Naderi’s terrific film from Japan, Cut.
A magic mirror reveals art and terror in London’s National Gallery.
Strong first reviews for Cronenberg’s retelling of the Sabina Spielrein case.
Two couples, one apartment in Brooklyn, an 18 year-old single malt Scotch and Roman Polanski.
Pans, mostly, for Madonna’s second feature as a director, a couple of them rather furious. But one critic at least is amused.