Time Out Poll: "The 100 best horror films"
David HudsonOnce you’re past the usual suspects, “the full list is wonderfully unpredictable and packed with oddball leftfield choices.”
Once you’re past the usual suspects, “the full list is wonderfully unpredictable and packed with oddball leftfield choices.”
Lists, reviews of classic and new horror, news and interviews. Updated through Halloween.
A couple of lists, a quiz, a dash of news, a collection of posters, reviews of Paranormal Activity 3 and more.
For many cinephiles, Halloween is a season, not an eve, and it begins today. Also: Wrapping Toronto’s Midnight Madness program.
A roundup of horror-related reads, lists, remembrances and reviews.
Each year, by the time October 31 rolls around, much of the horror film blogging and listing has been going on for a full month, building up little digital libraries of insight into what makes scary
For the most part, the September/October issue of Film Comment is a New York Film Festival preview. We've seen Scott Foundas's piece on David Fincher's The Social Network, whose world premiere will
"The tail-end of summer is an exciting period for Toronto's cult-cinema crowd," writes Neil Karassik in Eye Weekly. "With TIFF's Midnight Madness programme, Rue Morgue's Festival of Fear
"Somewhere between the pallid pinups of the Twilight movies and the Southern-fried sex addicts of HBO's trashy True Blood lurk the real vampires," writes Joshua Rothkopf in Time Out New York, "cagier
"Its critical thunder eclipsed at the time by the more lushly funded Planet of the Apes and 2001: A Space Odyssey (both of which brokered in discomfiting speculation about mankind's origins and destiny
Halloween is at least twice as fun when October 31 falls on a weekend as it does this year and, while I mentioned a few related goings on at the beginning of the month, no Halloween roundup comes close
One of the most content-rich film publications online or off has juiced up its form with Issue 52: Senses of Cinema now sports a bright new design, RSS, tags, the works. Editors Rolando Caputo and