Notes on Terrence Malick’s "To the Wonder"
Darren HughesJuxtaposing transcendence and the everyday, beauty and the abject, To the Wonder is profane in ways Malick never could have intended.
Juxtaposing transcendence and the everyday, beauty and the abject, To the Wonder is profane in ways Malick never could have intended.
One “movement” in our exquisite corpse-style critical project on Tony Scott. Each movement features ten critics and ten scene analyses.
Manoel de Oliveira’s new film, Gebo and the Shadow, is a work of ultimate compassion and benevolence.
An interview with the German documentary filmmaker for his first big retrospective in the Anglophone world, at the Tate in London.
A breakdown of the VIFF experience, its qualities and traits.
An in-depth look at the films of Filipino filmmaker Raya Martin.
The director of Barbara talks horror films, surveillance, shooting on 35mm, the sound of a room, the silence of a set.
The director talks about his new movie, home video cinephilia, working with cinema’s greatest composers, and more.
First ever English translation of a remarkable interview with Jean Eustache for the La Revue du Cinéma, May 1971.
Our critics’ dialog picks up the P.T. Anderson and Bellocchio films before moving on to the new Malick, Tsai and an Argentine discovery.
On the three impressive films included in Criterion’s set, “Jean Grémillon During the Occupation”.
On the late great.