Comma, Space: Frederick Wiseman's "High School" (1968)
Craig KellerAn essay on and analysis of High School, the second feature of Wiseman. The second in a series by Craig Keller on all-Wiseman.
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Three Womens' Stories: An Interview with Michael Glawogger
Daniel KasmanA talk with the director behind the prize-winning docmentary at Venice, Whores’ Glory.
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Rockefeller's Melancholy
Luc MoulletCritic-filmmaker Luc Moullet pens a provocative, previously unpublished take on the difference between the B&W and color work of Antonioni.
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Veneration and Its Discontents
Doug DibbernDigital projection is replacing 35mm film as the industry standard, and revival houses and museums may soon follow suit. Why should we care?
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Memory as Mise-en-scène: A Conversation with Terence Davies
Michael GuillenOn the English auteur’s first fictional feature in eleven years—"The Deep Blue Sea".
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A Personal Reflection on the Work of Abel Ferrara in Light of His New Picture (Written in the Shadow of Serge Daney)
Otie WheelerUpon the release of 4:44 Last Day on Earth.
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Aleksei German: The World's Greatest Assistant Director
Maxim PozdorovkinThe Russian maverick has passed away at 74. From our archives, coverage of his 2012 NYC retrospective.
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Beginnings Are Useless: A Conversation with Andrzej Żuławski
The Ferroni BrigadeA discussion with director for his first US retrospective.
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Les amants de "Low Life": A Talk with Nicolas Klotz & Elisabeth Perceval
Aaron CutlerA discussion with the co-directors of Low Life, a poignant story of young people loving against the law in modern France.
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“I am a patriot of the 20s”: An Interview with Alexander Kluge
Candace WirtA discussion with one of the leading founders of New German Cinema, upon the release of his films on DVD and his 80th birthday.
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The Golden Donkey Venice 2011
The Ferroni BrigadeVenice! The Biennale! Retrospectives, new films, festival turmoil, art that’s not cinema—all this and more!
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And Then The Camera Goes Up The Jockey's Ass: A Close Look at "Luck"
Ignatiy VishnevetskyTaking apart the first episode of the new David Milch / Michael Mann TV show.