Steven Soderbergh's "Haywire" and the Virtues of Getting Physical with Gina Carano
Joe McCullochA few thoughts on beatings, Bazin, gender, genre, and how montage can turn a man into a duck.
A few thoughts on beatings, Bazin, gender, genre, and how montage can turn a man into a duck.
Pasolini’s second-to-last interview, long believed to have been lost, now appears here in English for first time.
An appreciative stylistic analysis of director-writer Julia Leigh’s controversial debut feature.
Tracing Bresson’s audio-visual sensibility back to the formally-ambitious film comedies of the early 1930s.
An interview with director Wim Wenders on his new 3D documentary Pina.
Introducing a new series of essays on the “tightly-packed excess” of Robert Bresson.
The Ferronis take our end of the year double feature extravaganza to delirious heights.
In our annual poll, we pair our favorite new films of 2011 with older films seen in the same year to create fantastic double features.
A previously unpublished article by French New Wave critic and filmmaker Luc Moullet on the cinema of Eric Rohmer.
Stieg Larsson’s wish-fulfillment-fantasy-disguised-as-a-thriller as process and data.
Critic and filmmaker Luc Moullet looks at the tremendous final sequences of two King Vidor films.
Yang’s creative ethos is summed up by two of his lesser known films: A Confucian Confusion and Mahjong .