Cluny Brown, this film was Ernst Lubitsch’s last; A paragon of wit and of sophisticated charm… A Nineteen-Forty-Six film gazing into a European past;(’38, to be precise…) A Fox Production with an eclectic
Above: South Korean director Hong Sang-soo's masterful, mournful sex comedy, Night and Day, reviewed from Berlin. Many films in the 2008 New York Film Festival have been covered on the Notebook in one
My favorite films of the festival, in order of preference:01 Horizontal Boundries (O'Neill) 02 Winter and Saraband (Dorsky) 03 Liverpool (Alonso) 04 35 Rhums (Denis) 05 The Sky Crawlers (Oshii) 06
Jean-Luc Godard's trailer for the 2008 Viennale can be found here. Many thanks to Andy Rector for the heads-up.
To grasp just how uncinematic Vicky Cristina Barcelona is, one doesn't even need to see it to appreciate it's one brilliant conception: the movie's title. What is it about Allen's title that seems so
That's just a bit too much Simmons" -Jean Simmons, after a clip reel including Great Expectations, Hamlet, Angel Face, and Elmer Gantry, at her tribute at the 2008 Telluride Film Festival.We say: there
From Secret Beyond the Door (1948); directed by Fritz Lang; cinematography by Stanley Cortez:
Robert Aldrich (Kiss Me Deadly, The Dirty Dozen) has never been about pre-made rules, or a world where morals and behavior are measured by a set standard. There is a reason why so many of Alrich's movies
Bela Tarr's The Man from London, September 22-26Carlos Reygadas' Silent Light, September 24-29Carl Th. Dreyer's Gertrud, September 25-28
A tribute/revision of Vertigo, where the head of a man (who in this shot seems a movie theater spectator, but in the film is also a movie director) is digitally overlapped on footage of a coastal lighthouse
A kiss for the ages, and an unforgettable attack against cynicism, irony, and sarcasm in the cinema.From Desire (1936); featuring Gary Cooper and Marlene Dietrich; directed by Frank Borzage; produced by