The Noteworthy: R.I.P. Carey Jr. & Rocha, Top Ten Overdose, John Wayne's Faves
Adam CookStriking images of the late Paulo Rocha, 2012 musings from David Hudson & Brandon Harris, interviews with Miike, P.T.A., Ferrara & more.
Striking images of the late Paulo Rocha, 2012 musings from David Hudson & Brandon Harris, interviews with Miike, P.T.A., Ferrara & more.
A propulsive survey of scores focusing on the thriller: procedurals, bank heists, neo-noirs, spy films, giallos, and sci-fi mind-games.
The director talks about his new movie, home video cinephilia, working with cinema’s greatest composers, and more.
Composer Amedeo Tommasi’s opening contrast between two clashing sonic subjectivities establishes a protagonist who is way in over his head.
Howard Shore’s vulnerable opening cue for David Fincher’s The Game lays a groundwork of compassion beneath an unsympathetic protagonist.
This week: LOLA Issue 2 debuts, B. Kite & Kent Jones on Robert Bresson, and a chronicle of Kenneth Lonergan’s Margaret misfortunes.
A chilling, melancholy piece of music to Dario Argento’s oft-overlooked grim fairy tale, Phenomena (1985), by Bill Wyman and Terry Taylor.
Images (and sounds) of fear from the horror maestro’s 1975 masterpiece.
A solitary, spooky track from a new limited edition release of the full score by Andrzej Korzynski to Żuławski’s insane Possession (1981).
A look at five varied musical compositions used by Werner Herzog as cues in his movies.
John Corigliano’s soundtrack for a world closed off to love.
Brian Bennett’s piece of music used in Cronenberg’s film is hypnotic, unnerving, minimal, and with just a whisper of cold, sterile futurism.