The Beginning of History: "Class Relations"
Ted FendtA new translation of writer-critic Louis Seguin’s 1984 article on Straub-Huillet’s Class Relations.
A new translation of writer-critic Louis Seguin’s 1984 article on Straub-Huillet’s Class Relations.
Critic and filmmaker Luc Moullet on Cecil B. DeMille and The Road to Yesterday, one of the box office king’s most audacious undertakings.
This translation of a 1929 piece on Langdon is an exhilarating exercise in a deliriously subjective, free-form style of poetic film writing.
Manoel de Oliveira’s new film, Gebo and the Shadow, is a work of ultimate compassion and benevolence.
First ever English translation of a remarkable interview with Jean Eustache for the La Revue du Cinéma, May 1971.
A statement by Ruiz on his “last movie,” La noche de enfrente, and a moving article about Ruiz written by the film’s producer.
An essay by Nicole Brenez on maverick filmmaker-critic Jean Epstein.
Critic-filmmaker Luc Moullet pens a provocative, previously unpublished take on the difference between the B&W and color work of Antonioni.
A previously unpublished article by French New Wave critic and filmmaker Luc Moullet on the cinema of Eric Rohmer.
Critic and filmmaker Luc Moullet looks at the tremendous final sequences of two King Vidor films.
Jacques Rancière, Philippe Lafosse and the public in conversation about Straub-Huillet after a screening of their films.
Critic and filmmaker Luc Moullet looks at Raúl Ruiz’s 1987 short Brise-glace, which “belongs to the extraordinary.”