The Forgotten: A Little Stranger
David CairnsNOW YOU SEE IT I love the fact that Britain's two women directors in the 1950s were called Toye and Box. I also love the fact that Britain had two women behind the camera while American could only manage
NOW YOU SEE IT I love the fact that Britain's two women directors in the 1950s were called Toye and Box. I also love the fact that Britain had two women behind the camera while American could only manage
Above: Maren Abe's Everyone Else. Everyone Else (dir. Maren Ade) – Five years ago the Berlinale unveiled one of the most uplifting relationship films of the decade, Before Sunset; this year’
Above: a relaxed but aggrevated vision of young adults in 2009... Relaxation infuses the filmmaking of both John Cook's Slow Summer and Andrew Bujalski's Beeswax; only, the first was made by the Canadian
Film Forum's Breadlines and Champagne! series started Friday, February 6th, with 35-cents tickets (25-cents for members) for screenings of the Mae West vehicle, I'm No Angel. A funny little thing about
4.0: PREAMBLE So, after four days and nine attempts, I finally discovered a new film that I can more than luke-warm enthusiastic about. Near misses have included The Exploding Girl from Wednesday, Burrowing
Images © Fabrizio Maltese / fabriziomaltese.com
This post is for the Self-Styled Siren. Although even the most ardent of auteurists understands that it's finally impossible to pinpoint just which revered collaborator is responsible for just what
Sharon Lockhart pushes her camera on a dolly down a factory hallway during eleven minutes of the workers' lunch break, and creates a kind of cinematic magic we all wish we could conjure in real life
Above: A highlight of the 2009 Berlinale, So Yong Kim's Treeless Mountain. Treeless Mountain (dir. So Yong Kim) - This premiered at Toronto last September, but so far I’ve yet to see a better
With not much making a great impression thus far at the Berlinale, Margot Benacerraf's lovely documentary Araya comes as a breath of fresh air from 1959. Reminiscent of Agnès Varda's debut
Above: Tommy Lee Jones tracing paths through the swamps of history in Bertrand Tavernier's In the Electric Mist. Like a bullet deflected, Bertrand Tavernier's In the Electric Mist lands close to target
Rainy midnight at the lost and found - a.k.a. a 6th floor room of the Etap hotel, just along the amazing ruin that was the Anhalter Bahnhof, about 5-8 minutes' walk from the Berlinale